Born in 1995 with a pro­fessional back­ground in graphic design, I worked as a designer, free­lance art director and illustrator.

The artistic practice came during a men­tally difficult period. Long walks through Berlin became a way to cope. To avoid being overwhelmed by anxiety, my focus shifted from the macro to small details. Torn paper, minor graffiti tags, discarded objects and fragments of the urban en­viron­ment became points of focus.

Through close ob­ser­va­tion, I began ques­tioning why these elements exist in public space at all and why they appear in their specific states of damage, neglect or abandonment. This way of looking for­med the foundation of my practice, which is dri­ven by material en­gage­ment, intuition and atten­tion to residue rather than spectacle.

My work engages with traces of human presence in the urban environment. Rather than depicting people directly, I focus on what is left behind. I work with fragments from the city, using them as both material and subject.

Themes of alienation, distance and vulnerability run through the work, mirroring how people co­exist in urban spaces while remaining largely unknown to one another. The work is not con­cerned with docu­menting the city as a place, but with translating its „emotional texture“. It holds space for im­perma­nence, decay, human pre­sence and reflects the city as a space of constant transformation.

Nothing is fixed and everything is provisional.